By
Christine Tomlinson
Winter 2003
If
you listen closely to the public airwaves you might hear the FCC
soliciting public comment on deregulation. Actually, it depends
on which airwaves youre tuned into. The story doesnt
necessarily make for prime copy. With a total of one public meeting
and a couple of congressional hearings, the FCC is building up
to a policy shift, one that may change the very nature of media
as we know it. The last time the FCC made waves, in 1996, it deregulated
radio-ownership restrictions. The biggest obstacle the agency
faces now involves the repercussions of that move.
The 1996 Telecom Act allowed the expansion of the behemoth Clear
Channel, which went from owning 40 radio stations to owning more
than 1,220 stations across the country. The companys hold
on the industry includes a 20 percent share of the ad revenue
and a quarter share of the American listening audience, with about
10 percent of the stations nationwide. Even the deregulation-minded
FCC chairman, Michael Powell, conceded in congressional hearings
earlier this year that Clear Channels chokehold on the radio
industry was something hed rather avoid in further deregulation.
Musicians claimed that Clear Channel locks out artists who dont
sign on to its concert promotion division, a claim that Clear
Channel Chairman L. Lowry Mays denies. Broadcasters say the company
uses its size to squeeze out local competitors. According to an
FCC study, ad rates have increased by 68 percent over the rate
of inflation since 1996. Sen. Ernest "Fritz" Hollings
(D-SC) says the number is even higher. Some listeners contend
that Clear Channels cost-cutting style is taking the heart
out of their kind of radio.
Clear Channel uses voice tracking, which means it fills
local shows with national talent, national call-in traffic and
centralized formatting, blurring, if not erasing, the local edge.
Clear Channel claims that while it uses voice tracking only for
the less popular weekend and graveyard shifts, the practice brings
greater diversity of programming to smaller local markets. DJs
suggest that the graveyard shifts often allow local talent to
hone their skills. Each of these arguments assumes that the values
of localism and diversity still are the cornerstone of radio.
The difference is, for corporate media, localism, competition
and diversity are defined in terms of the bottom line. For listeners,
the ideals of localism, competition and diversity mean something
very different.
The FCC built the process of regulating the airwaves on the values
of localism, diversity and competition. The 1934 communications
act cited the need to distribute licenses to as many communities
as possible. If the FCC now continues to deregulate the broadcast
industry, lifting the barriers to further consolidation of television,
newspapers and radio, what is to become of these founding values?
And what will it mean to the quality of news and information?
FIRST RADIO, NOW THE NEWS
The nature of competition in the news-media marketplace today
is increasingly big business. In Minnesota, most of the largest
newspapers and local television stations are publicly owned by
national corporations whose business it is to provide a competitive
product that makes its shareholders money. Corporate parents squeeze
profit margins that far exceed anything news organizations were
expected to maintain in the even recent past. Its not unusual
to expect profit margins of between 20 and 70 percent from news
programs. Profit margins are threatening publicly owned newspapers
as well. In January, the Duluth News Tribune, a profitable newspaper,
was forced by Knight Ridder, its owner, to cut eight workers to
make up for missing its revenue goal.
In a culture dictated by profits, news organizations rely on cost-cutting
measures that may very likely mean the consolidation of content
across newspapers, radio and television, especially with further
loosening of ownership restrictions. Currently, a single media
company is not allowed to own both a newspaper and a TV station
in the same market. Some currently do, but through grandfather
clauses and waivers. That restriction is in jeopardy.
In order to meet the lofty profit goals of a publicly held company,
consolidation of resources seems almost inevitable. Advocates
of consolidation argue that the shared content may, in fact, improve
the quality of the news we citizens consume. And its hard
to disagree that the quality could use some improvement. The Project
for Excellence in Journalism published a study in the Columbia
Journalism Review examining content in news coverage. Despite
declining crime statistics, coverage of crime increased in 2001,
and coverage of nearly everything else, including the economy,
decreased. Dramatic crime coverage fits nicely into the revenue-grabbing
thirst for ratings that permeates local television news.
The argument that consolidation will mean less reporting and more
hype is almost moot, as the news we are already seeing on television
reflects a steady decline in enterprising news stories, investigative
journalism and local-interest stories. That kind of coverage costs
big money. If consolidation belies diversity, the competitive
system that already exists in news hasnt produced much that
is better. Most major news organizations are already a profit-driven
enterprise, one that squeezes out much possibility for diversity
or experimentation.
WHOSE VOICES ARE WE HEARING?
The immediate dangers of consolidation are more subtle. The radio
industry is already experiencing the watering down of diversity.
Clear Channel argues that its bringing a wider variety of
music to small markets. But the reality of that variety is that
its the same no matter what small market you visit. Call-in
radio shows feature callers from generic locales. Drive across
country, and you may hear the same voice from coast to coast.
In broadcasting, consolidation of ownership affects the origin
of viewpoints, which is the real cornerstone of diversity. Many
minority-owned media companies are selling to mainstream corporations.
Harper-Collins bought Amistad Press. Essence Communications is
now in a joint venture with Time Inc. And Time Warner owns Africana.com.
BET is now owned by Viacom/CBS, and Telemundo is owned by GE/NBC.
As most of these are recent developments, its hard to judge
the direction of their content. But at their core, these organizations
are no longer controlled by minority voices.
Instead, they, and most major news media, are controlled by corporate
voices. Big media now have the strength and bravado to raise these
voices in support of media-friendly public policy. Media companies
lobby the FCC. They lobby Congress on issues from the death tax
to intellectual property to rules for political advertising. Media
corporations spent more than $30 million in 2000 on lobbying efforts,
according to The Center For Public Integritys report, Off
the Record. The report also stated that media corporations gave
$18.9 million in the 1997-1998 election cycle, a 61 percent increase
over the 1993-94 cycle.
That is not to say, again, that the content of the news is directly
affected. But, we, as members of the public who are watching the
news, are today more often considered consumers rather than citizens.
Today, the FCC is looking to the public for proof that increasing
media consolidation will adversely affect the public interest.
In 1934, it was the other way around. The FCC set up its rules
to protect the public interest. It regulated public airwaves in
terms of the interests of localism, diversity and competition.
Today corporate interests are quickly and fundamentally defining
the interests of localism, diversity and competition in terms
that not surprisingly mirror the financial interests of the media
ownership, and not of the citizenry.