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by
Gary Gilson
Newsworthy 1999
Based on complaints the News Council has received in recent months,
some people can't, and won't take a joke. They say that jokes are
usually made at someone's expense, and they don't want to pay the
freight with their hurt feelings.
Based on your personal standard, would
you publish or not publish the following cartoons?
Example: Pioneer Press editorial cartoonist Kirk Anderson's comment
on the University of Minnesota basketball team's academic-cheating
scandal. It showed black ballplayers on the court, with white men
in the stands saying, "Of course, we don't let them learn to
read or write!"
A lot of black people took offense, saying that plenty of blacks,
including athletes, read and write very well, and that the cartoon
perpetuated a stereotype. The City of St. Paul's human rights commissioner
even asked for a review board to screen cartoons for racial sensitivity
before publication.
Others said they saw Anderson's cartoon (as he intended it to be
seen) as indicting whites who exploit black athletes by taking so
much of their time for sports that they have little or no time to
study.
Example: A Minnesota Daily "Humor Issue" article fabricated
a story of an assault on a foreign teaching assistant by a frustrated
student. An angry reader said it was "reprehensible to suggest
that violent anger is the proper response to someone's difficulties
in speaking English."
Others saw humor in the spoof story because they recognized a truth:
the frustration of many students whose education depends upon T.A.'s
who may be academically gifted, but cannot speak English very well
and thus can't communicate.
Example: An outstate weekly news-paper regularly ran a freelance
column that included Ole & Lena jokes, making Scandinavians
the butt of stories about ethnically based stupidity. A subscriber,
whose ancestors were Norwegian, complained.
Others we spoke with, mostly people of Scandinavian extraction,
liked the jokes and wanted more.
An Expert Perspective
That seems to be crucial, according to a seasoned professional in
the hurt-feelings business. Mort Ryweck, retired director of the
Jewish Community Relations Council (JCRC), says acceptable use of
ethnic humor depends upon the setting, the intent, the teller, the
listener and the current climate. Is it hostile? Friendly?
Ryweck's successor, Jay Tcath, recently resigned from JCRC and starting
a similar job in Chicago, asks: Are there rules, or guidelines -
for example, "Don't make fun of people based on their ethnic,
religious or physical description" - to which there may be
exceptions? Has the group being targeted been historically and brutally
victimized?
If the teller is a newspaper columnist, such as the late Chicagoan
Mike Royko, who took tongue-in-cheek pokes at Poles, drunks, and
Chicago politicians and newspapermen, Tcath says, "Give him
a pass."
If we don't give some jokes a little leeway, says Tcath, "How
can we have a culture that is engaging, humorous and self-critical,
without homogenizing the society?"
That argument doesn't satisfy the complainant in the Ole & Lena
case. He says those jokes put down Norwegians, and he sees no excuse
for it. The columnist who wrote those jokes has now stopped, and
the complainant is happy, but a lot of readers and the publisher
are not. They liked to laugh, even at their own expense. Obviously,
they didn't think the expense was too great.
I recently met an Indian woman who has one of the best dispositions
of any human being I've ever known. I told her about a journalism
class I once taught where a majority of the students were black.
One day a few of them turned to the only Indian student in the class
and said they'd never heard Indian humor. Would he give them an
example? He did:
An Indian was dancing around a hole in the ice on Lake Superior,
swigging whisky and chanting, "Ho-ho-ho-ho-ho, four,"
"Ho-ho-ho-ho-ho, four," and he spotted a Finlander watching
him with great curiosity. The Indian waved to the Finlander to join
him, and he kept passing the bottle back and forth as they both
danced around the hole in the ice.
"Ho-ho-ho-ho-ho,
four," the Indian chanted, over and over, until the Finlander
drank so much that he fell into the hole and disappeared forever
under the ice. The Indian went on dancing, now chanting, "Ho-ho-ho-ho-ho,
five!"
My new Indian friend howled at the joke. She howled because for
a change the Indian, a representative of a historically brutalized
group, came out on top.
Ah, but what about the Finns?
Years ago, when so-called Polish jokes flooded the United States,
an enterprising researcher decided to ask residents of Poland what
they thought of Polish jokes. The Poles were baffled; they said
they had not heard of Polish jokes. So someone told them a few.
"Aha!" said the Poles, "You mean the Czech jokes."
To paraphrase Gilda Radner, "It's always somebody."
If a joke teller exerts power over the butt of the joke, and uses
the joke to maintain his power, the joke teller is out of line and
should be confronted. Nat Hentoff, the journalist and civil libertarian,
says the best antidote to bad speech is not censorship, but more
speech. I agree. How about you?
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